Friday, May 18, 2018

Two new ecological coinages on the internet for our feeling about the loss of species worldwide: ''Speciestalgia'' and "Speciestude"

Two new ecological coinages on the internet for our feeling about the loss of species worldwide: ''Speciestalgia'' and "Speciestude" -

 http://cli-fi-books.blogspot.tw/2018/05/a-new-coinage-for-our-feeling-about.html 


Two new ecological coinages on the internet for our feeling about the loss of species worldwide: ''Speciestalgia'' and "Speciestude" - http://cli-fi-books.blogspot.tw/2018/05/a-new-coinage-for-our-feeling-about.html

Thursday, May 17, 2018

I did enjoy ''The End We Start From'' by Megan Hunter in the UK.... but I wanted a bit more from it...says Michelle C at Twitter

I did enjoy ''The End We Start From'' by Megan Hunter in the UK.... but I wanted a bit more from it...

I'm currently reading ''Sealed'' which is similar cli-fi stuff. 

About 1/3 through and it's really good.

Wednesday, May 16, 2018

Daniel Aldana Cohen on "The Death of Carbon".

I had a great time speaking at the Philadelphia Ethical Society this weekend on "The Death of Carbon". For the first time ever, alongside familiar stories from my São Paulo research, I tried to connect how I've thought about climate change to what it was like growing up in a home where the Holocaust and Guatemalan genocides were constant topics, and how my dad's death personalized for me this sense of death's tragic inevitability at a really huge scale. I got into how this shaped the way I first thought about climate change. And I talked about the experiences that led me to think about it climate politics in a different (more "optimistic") way. Anyway... hopefully will write this up soon somewhere in a proper essay, complete w Sebald and Benjamin quotes. A really nice guy (Dan Hoffman) took this photo of me, my first time ever speaking in front of a grand piano! And the PES graciously recorded the talk, link in comments.

Daniel Aldana Cohen link to video audio


Tuesday, May 15, 2018

NOTHING IS AS IT WAS - a cli-fi antho

She was  delighted to be taking part in the BlogTour for Nothing Is As It Was. It is a collection of short stories about climate change – edited by Amanda Saint & Gillian Walker.
I believe it is an incredibly interesting topic, which these authors have managed to make relatable and interesting. Using flash fiction and short stories to get their point across is an effective way to engage the reader without them losing interest, especially because each one of them has such an individual approach.
About the book
A collection of short stories and flash fictions on the theme of climate change from established and emerging authors who all care about our planet.
A schoolboy inspired by a conservation hero to do his bit; a mother trying to save her family and her farm from drought; a world that doesn’t get dark anymore; and a city that lives in a tower slowly being taken over by the sea.
These stories and many more make up a poignant collection that is sometimes bleak, sometimes lighthearted, but always hopeful that we can make a change.
Climate Change Cover (1)
Review
This is a collection of flash fiction and short stories on one of the most important topics of our time – climate fiction. This collection is raising funds for the global climate action group, Earth Day Network. In the foreword Amanda Saint speaks about the importance of climate change and getting more people or readers to comprehend the importance of this topic. We are living in a world split down the middle when it comes to this particular topic. Many people, including those in the highest political positions in the world, are climate change deniers. No matter what scientific evidence is presented or even actually being able to see the difference in weather patterns, some people would rather leave the planet to self destruct instead of implementing changes to ensure our survival.
With an anthology it is important to get a flavour of what you’re getting and who you’re getting it from. I think the choice to focus on flash fiction and short stories pieces is very much in line with the topic. Just as the weather now hits us with a fierce vehemence and a violent brutality, so do these individual pieces of work. Here is just a taste of what to expect from Nothing Is As It Was:
Mirror Image by Anna Orridge – ‘Give Nature a chance, and she willreturn.Head held high.’ Mirror Image is anything but a pretty flash into the future we can expect. One in which the malice of our base human nature shines through in the guise of survival.
Me and the Mountain by Vicky Ridley – ‘Earth’s guttural cries of agony’- An interesting premise. Is earth speaking to us? Crying out for attention? Pleading with us to stop destroying her, using her voice to communicate the frustration she feels at the destruction.
Portal by Philip Sobell – This is definitely a tongue-in-cheek sign of the times story, and the sad thing is I can see this happening. Without any shadow of a doubt the human race would, after determining no real value or solution for the Portal, use it to dispose of a problem. Sad, but true.
No-Car by David McVey – Separating the wheat from the whey, the poor from the rich. Unfortunately this reality is already upon us. When the car becomes the luxury item, as opposed to the common item to own. Public transport being re-delegated to that of the poor, and class structures taking on more immense proportions. Begs the question, whether those who choose to save the environment now with a no-car choice and inadvertently moving themselves into that position already. Food for thought.
Sun by Wiebo Grobler – Will it descend into complete chaos? Good question, but what is more intriguing in Sun is the fact that we just stand by and accept our fate. Isn’t that what we are doing already?
Warrior by F E Clark – I love the Author’s Note on this: Written in response to reading that The Oxford Juniour Dictionary had deleted nature words – particularly the names of flowers. The eco-warrior will become one of the most important elements of our future. Just saying.
Graduation Day at the Fishmonger’s Institute by Anne Summerfield – This doesn’t just speak to climate change, it is already indicative of the times we live in now. So many career paths have disappeared and become extinct. It is a downward trend when it comes to survival. One day there will only be holographs or pictures of certain species perhaps we will be one of them.
The GoodLuck Camera by Kimberly Christensen – This story is prophetic. This is what will befall the majority of us if the water levels continue to rise. Our grandchildren or great-grandchildren may never know the abundance of food and water, or the feeling of sand between their toes.
The Other Side of Me by Norman Coburn – How important are the people who can envisage the future and are trying to change the outcome for every one of us?
Bottleneck 2048 by Neil MacDonald – ‘It was too late for precautions, much much too late.’ This is the reality of our situation. Even if everyone was less interested in profit and making the rich even richer, and the deniers were finally taken to task, the process is already well underway.
Nothing Is As It Was by Nick Ryle Wright – Nobody can protect us from Mother Nature, and there is only so much we can predict. ‘Doing nothing is not an option.’
Healng AthaBasca by Keygan Sands – Poetic and sad, with the ultimate grand gesture, albeit an empty one, but at least it is one that ignites the fire inside of the girl who sees the destruction around her.
The Arctic Commandments by Cath Barton – The desperation of knowing there is no solution, and when nature takes over is it not better to let it take you and end that sense of  your inevitable demise?
I am Stealthy, I am Swift by CJ Conrad –  Is this what awaits us in the end. Will we return to the hunter, gatherer mode? Will extreme survival remove generations of societal norms?
New Moon by Dave Murray – We are complacent and we are in denial, at least a fair number of us. At the moment we are at a stalemate, that period in time just before the next wave comes.
Like a Captain of Old, Going Down with the Ship by Fiona Morgan – We will become a collection of memories and executable files. The far-fetched notions from popular space fiction movies, where they watch back history on recorded tapes. That will be us one day.
Blue Planet Collection by Jane Roberts- It starts with one boy. Imagine if we all did our part to make sure the fish can swim unhindered in the oceans. The oceans filled with waste and plastic.
Come and Gone by Angelita Bradley – ‘Like a chance to make things better has come and gone.’ That is it in a nutshell really. We have been given enough warnings and plenty of opportunity to change the result.
The Warming by Karen Morrow – The land is being consumed by the oceans. Without it we become Waterworld. Salvation is the object we poison, and in return poisons us.
Plenty More Fish in the Sea by Luke Strachan – The thing with evolution is that the majority of species adapt to their environment, so it isn’t to far-fetched to think that some may survive over others. In that there is potential and hope.
Hasta La Vista, Babsy by Fee Johnstone – This is a cute little story, and perhaps one that explains more than just whales getting lost and being beached because the currents are changing. Species securing their survival by making their genetic strains more adaptable to the changing environment. Perhaps animals are a lot smarter than us,because they trust their instinct.
Walking with the Weather by Rob Walton- Short, poignant. What good is a petition, a piece of paper or electronic trail that no person pays any attention to?
Too Late by Ros Collins – The empty promises of politicians, who are too concerned with fame and notoriety than with the facts of the situation. You are doing yourselves a disservice if you are governed by a politician who chooses to ignore the inevitable.
Where Lies the Line by Taria Karillion – ‘Two sides of the same tool of change.’ Unfortunately the human species is a selfish one and one that secures survival before that of others. Not even faith can change instinctual behaviour patterns.
Airpocalypse by Rachel Rivett – The air we breath may soon become a commodity, an illegal one at that. Even now there are cities and countries covered in smog so thick you can cut through it with a knife. We take it for granted.
New Shoes by Charlie Hill – This story is indicative of our society and the way we place property before lives, millennial are especially guilty of this. What matters the nice pair of shoes when death is looming at the front door?
Thirst by Lorraine Wilson – Wouldn’t you do anything to save your child? Break the law and steal from others to secure their survival. In a world full of bureaucrats who care nothing about black and white names on paper.
Deluge by Susmita Bhattacharya – Deluge remembers the victims of the unpredictability of Mother Nature. Climate Change is reaping lives like a wanton seeker of souls. Collecting his dues for supposed past indiscretions. She takes the innocent, the young and the blameless.
Fireworks by David Barker – The animals are encroaching upon our territory. The hunter becomes the hunted, especially when the race for survival becomes an equal one.
Ophelia Rising by Elaine Desmond – The banality of life in general supersedes the overall concern we should have for our survival. Affairs, betrayal and emotional upheaval all blitzed by the majestic power of Mother Nature rising to challenge us.
The Window Box by Stephen Connolly – This is a chapter from his current novel-in-progress. I can honestly say that based on this short introduction it is one I would pick up to read. The setting is a drab dystopian world of dog eat dog. Survival of those who abide by the rules of big brother and are threatened by the steady presence of the almighty Poseidon.
Up Above the World so High  – ‘The distinction between night and day is disappearing in the most heavily populated regions of the Earth.’ Knowing what we do about biological clocks and the impact it has on physical and mental health, I am surprised this isn’t a better known fact or discussed fact.
Although the stories have a common denominator, they are all incredibly different. The fact that they are short actually helps the reader to take on board more information. It is like watching an art display of flashbacks or photographs being projected onto a wall for five minutes at a time.
In a time where the masses are being given conflicting information about climate change, and it has certainly fallen prey to the false news propaganda groups, it is important to try and change the perspective of this issue.
The global companies who control our energy resources are really invested in trying to convince the common man and woman, that climate change doesn’t exist. That the extreme weather, the change in seasons, the change of climates is but merely a natural evolution of earth.
It isn’t. We are destroying our habitat, our species and other species. We have probably already passed the point of no return and the inevitable, but that doesn’t mean we should give up. We should at least try to sustain the planet we live on for future generations.
Nothing Is As It Was is an ode to the planet and at the same time a call to rise up and do something, even if it is just that one small thing you can do for your environment.
Buy Nothing Is As It Was at Amazon Uk or go to Goodreads for any other retailer.
Published by Retreat West on 3 May 2018 Follow @RetreatWest
Retreat West Books is an independent press publishing paperback books and ebooks.
Founder, Amanda Saint, is a novelist and short story writer. She’s also a features journalist writing about environmental sustainability and climate change. So all Retreat West Books publications take advantage of digital technology advances and are print-on-demand, in order to make best use of the world’s finite resources.
Retreat West Books is an arm of Amanda’s creative writing business, Retreat West, through which she runs fiction writing retreats, courses and competitions and provides editorial services.
Initially started to publish the anthologies of winning stories in the Retreat West competitions, Retreat West Books is now open for submissions for short story collections, novels and memoirs. Submission info can be found here.
Nothing Is As It Was – About the Authors
Mirror Image by Anna Orridge – Anna Orridge has a BA in English Literature from York University and an MA in Creative Writing with Distinction from the University of East Anglia. Her short story, “Rook”, was shortlisted for the Bedford Prize in 2013. The synopsis and opening for an adult novel “Assemblage” made the shortlist for the 2015 Flash 500 competition. Another story, “Number Four”, appeared in the Spring edition of Mslexia in 2016. She is currently writing a Middle Grade novel and was a winner in this year’s #pg70pit competition, which judges the strength of the voice of a novel’s 70th page. The novel has also been selected for the longlist of the 2017 Flash 500 competition. Anna has worked in Spain, Slovakia and Bolivia as an English language tutor, but now lives with her husband and two children in Croydon. Follow @orridge_anna
Me and the Mountain by Vicky Ridley – Vicki Ridley is an author of speculative and young adult fiction and is currently studying for a Masters in Creative Writing at Edinburgh Napier University. She has worked for twenty-five years in schools, youth and community organisations, and universities and is now following her ambition of writing genre and graphic fiction. A passionate advocate of protecting the environment, Vicki is a member of the Scottish Green Party. She avoids writing dystopian climate fiction, remaining hopeful that we can achieve a positive environmental future if we work together in the here and now. Vicki is currently working on her first novel, which will feature utopian climate fiction as well as dead Romans. Follow @VickiRidley1
Portal by Philip Sobell – Philip Sobell has been writing short stories (science fiction, horror and fantasy) for several years. ‘Portal’ is his first publication and he recently joined Retreat West as an intern, working on the social media platforms and contributing content ideas.Follow @PhilipSobell
No-Car by David McVey – David McVey lectures in Communication at New College Lanarkshire. He has published over 120 short stories and a great deal of non-fiction that focuses on history and the outdoors. He enjoys hill-walking, visiting historic sites, reading, watching telly, and supporting his home-town football team, Kirkintilloch Rob Roy FC.
Sun by Wiebo Grobler – Born in South-Africa and raised in a small farming community, Wiebo only had his imagination to keep him occupied, till he discovered the magic of books. He fell in love with the characters within from an early age. Soon he created his own worlds and stories in his head. These stories developed voices, which clamoured to be heard. So, he writes. Shortlisted for his Flash Fiction and Poetry for the Fish Publishing Prize he has various stories published in Molotov Lit, National Flash Fiction Day, Reflex Fiction and more.Follow @WieboG
Warrior by F E Clark – F.E. Clark lives in Scotland. She writes and paints, and takes much inspiration from the natural world where she lives. The changing weather and seasons are of great concern to her. A Pushcart and Best of the Net nominee, read her words at: Molotov Cocktail Literary Magazine, Poems for All, Occulum, Moonchild Magazine, Ink In Thirds, Poems for All, Folded Word, Ellipsis Zine, Story Seed Vault, Luna Luna Magazine, and The Wild Hunt.Follow @feclarkart Visit feclarkart.com
Graduation Day at the Fishmonger’s Institute by Anne Summerfield – Anne Summerfield writes short and long fiction and poetry. Her most recent publications include stories in Sleep is a Beautiful Colour (NFFD Anthology 2017) and Flash Fiction Festival One. She has work online and forthcoming in Spelk, Ellipsis, New Flash Fiction Review and Jellyfish Review. Her story ‘Lamb’ was nominated for Best Small Fictions 2018. Se is based in Hampshire, England.Follow @summerwriter
The GoodLuck Camera by Kimberly Christensen – A resident of the Pacific Northwest, Kimberley Christensen writes about all things sustainable-from organic gardening to breastfeeding to waste reduction. After a number of years working for CoolMom, Seattle’s first climate nonprofit focused on women and families, she recently left her position to write in climate fiction. She hopes to introduce readers to the personal side of climate change.
The Other Side of Me by Norman Coburn – Norman Coburn is a novelist and short story writer based on the East coast of Scotland. Steering clear of crime fiction, he writes mystery stories anchored in nature and Scotland’s rich mythology. Living and working by the sea he’s watching the gradual affects of climate change through changing patterns of bird and fish migration. He likes his stories to be gritty but seasoned with hope.
Bottleneck 2048 by Neil MacDonald – Neil MacDonald has published short stories in Structo, Gold Dust, and other magazines, and articles about writing in Writer’s Forums. His historical fantasy novel A Prize of Sovereigns was serialised by an online publisher. He won the 2017 Plot of Gold competition and was awarded a Cinnamon Press mentorship in 2018 for his novel The Tears of Boabdil. He is the creator and administrator of the Farnham Short Story Competition. Drawing on experiences working in international aid, he has also published six non-fiction books. Born in Scotland, he was raised in Jamaica, and has lived and worked in England, The US and South Africa. He now lives in a cottage in Surrey, England together with his wife and the obligatory cat and dog. Visit neilmacdonaldauthor.wordpress.com
Nothing Is As It Was by Nick Ryle Wright – Nick Ryle Wright is a writer of short fiction, currently based in the New Forest, Hampshire. He has had stories published in various magazines and journals, both online and in print, and is a first reader for The Nottingham Review.Follow @nickrylew
Healng AthaBasca by Keygan Sands – Keygan Sands is an MFA candidate at the Iowa State UNiversity’s Creative Writing and Environment Program. Prior to that, she earned a B.S. in marine science and was a naturalist at a cave. Her writing explores the reciprocity that exists between human and natural systems. She has previously been published in Cold Mountain Review. Follow@dracoaestas
The Arctic Commandments by Cath Barton – Cath Barton is an English writer who lives in Wales. She won the New Welsh Writing AmericCymru Prize for the novella 2017 for Th Plankton Collector, which will be published in September 2018 by New Welsh Review under their Rarebyte imprint. She has been awarded a place on the 2018 Literature Wales Enhanced Mentoring Scheme and is currently working on a collection of short stories inspired by the work of the sixteenth century Dutch artist Hieronymus Bosch. Active in the online flash fiction community, she is also a regular contributor to the online critical hub Wales Arts Review.Follow @CathBarton1 Visit cathbarton.com
I am Stealthy, I am Swift by CJ Conrad – CJ Conrad is a deaf, overweight forty-something who believes he will be forever seventeen. He likes dogs, food and welding but not in combination! C also believes that tea is the greatest drink in the world, and that the world would be a far more peaceful place if everyone made room for a brew and a biccy!
New Moon by Dave Murray – Dave Murray is a Manchester based writer of plays , poems and short stories.
Like a Captain of Old, Going Down with the Ship by Fiona Morgan – Fiona Morgan is a reluctant lawyer by day, n enthusiastic writer by night. She loves common sense, history, and bee. She doesn’t like anchovies or climate change deniers. She is currently working on her first novel about a woman who becomes a pilot for the Air Transport Auxilary in WW2. Follow @gosquatkey
Blue Planet Collection by Jane Roberts – Jane Roberts is a freelance writer living in Shropshire, UK. Her fiction is published  in a variety of anthologies and journals including; Litro, Bare Fiction Magazine, The Lonely Crowd, Wales Arts Review, LossLit Magazine, Flash: The International Short Story Magazine, NFFD Anthologies, 100 Stories for Haiti, Stories for Homes, Refugees Welcome Anthology, and Unthology 9 (2017); Bridport Prize Flash Fiction (2013/2016), Fish Short Story Prize (2015/2016) and Flash Prize (2016). She is one third of Literary Salmon (Saboteur Awards Longlisted, “Best Anthology” 2016) and is a participant in the Writing West Midlands’ Room 204 Writer Development Programme 2017/2018.
Come and Gone by Angelita Bradley – Angelita Bradney is the winner of the 2017 National Memory Day story competition. Her short fiction has been published by Litro, Stories for Homes, Retreat West, Ellipsis Zine and The Occulum, and has also been shortlisted in several competitions including the Fish Prize. She lives in south east London and is currently writing a novel at the Faber Academy. Follow @AngelBradn
The Warming by Karen Morrow – Karen Morrow is a writer from the South Coast of NSW, Australia. Along with essays and articles, her short fiction has been published in a number of literary journals including Vine Leaves, Kindling Vols 1 and 2 (Writers Edit), Great Ocean Quarterly and Kids Book Review. She has appeared on several literary award short lists including: Launceston Tasmania Literary Award (2014), Shoalhaven Literary Award (2013), Cowley Literary Award (2013) and Writer’s Web Literary Award (2013). Karen has a degree in Social Science, is a member of the Shoalhaven City Council Arts Board and Director of the Shoalhaven Writer’s Festival. Visit karenmorrowwriter.com
Plenty More Fish in the Sea by Luke Strachan – Originally from the highlands of Scotland, Luke Strachan is a London-based illustrator, artist and author. Luke has a deep love of nature and wildlife, enjoying trekking, scuba diving and anything else that immerses him in the natural environment. A keen traveller, Luke has spent time working and living in Tibetan Monasteries in India and the remote coral atolls of the Marshall Islands. Since moving to London, Luke has published his first graphic novel as well as founding an art and design business. Follow @lucasstrachan Visit rooftopfox.com
Hasta La Vista, Babsy by Fee Johnstone – Fee Johnstone is managing editor of a medical journal and lives in Scotland. She enjoys writing short stories and flash fiction and came third in the Magic Oxygen Literary Prize, ‘the greenest writing competition on the planet’ in 2016 but is still convinced this was an admin error. She has a few pieces scheduled for publication in some awesome zines (Paper and Ink, Razur Cuts, Ellipsis and Ghostland). To combine her love for cats and craft beer, she’s working on teaching her feline friends to pour the perfect stout.
Walking with the Weatherby Rob Walton – Rob Walton grew up in Scunthorpe, and now lives in North Shields. His short fiction and poetry for adults and children appears in various magazines and anthologies. His flashes have been published by 101 words (US), Bangor Literary Journal, Flash Frontier (NZ) Ham, Ink, Sweat & Tears, Number Eleven, Paper Swans, Popshot, Pygmy Giant, Reflex, Spelk and others. He is a past winner and current judge of the UK’s National Flash Fiction Day micro-fiction competition.
Too Late by Ros Collins – After twenty-five years of teaching, Ros retired to the seaside town of Felixstowe with her husband, where she enjoys her hobbies of writing, reading, tennis and blustery walks. She as been short listed in several competitions and came second in the inaugural Reflex Fiction competition. The subject of climate change holds both a fascination and a horror for her.
Where Lies the Line by Taria Karillion – Taria Karillion grew up in a tiny cottage in the grounds of a castle, and is supposedly descended from an infamous pirate ( much to the amusement of her fencing coach at the time of discovery). Despite her historical background, however, and thanks to an accident involving the Hitch-Hiker’s Guide to the Galaxy, a staircase and a nasty attack of gravity, she became a thoroughly addicted fan of science fiction. Her work has won a Hagrid-sized handful of awards and enough publications to fill his other hand. Her future plans include a solo collection and a quest for World Peace and a calorie-free chocolate. Not much to ask, really…
Airpocalypse by Rachel Rivett – Author of three picture books, Little Grey and the great Mystery, Are You Sad, Little Bear? and I Imagine, and shortlisted for SCBWI’s Undiscovered Voices 2014, Rachel Rivett has an MA in Writing for Children. Her short stories appear in the Mother’s Milk anthologies, The Forgotten and the Fantastical and she is currently working on several projects – in snatched and borrowed moments – while she home-educates her children. Visit writewild.weebly.com
New Shoes by Charlie Hill – Charlie Hill is the author of two critically acclaimed novels, a pamphlet of short stories and a novella, about which Nicholas Royle – writing in his introduction to Best British Short Stories 2017 – said: ‘An engrossing piece that…were the author French and his readers all French, might well have been regarded as a worthy late edition to the school of existentialist literature.’ Visit charliehill.org.uk/about/
Thirst by Lorraine Wilson – Having spent many years working in remote corners of the world, Loraine Wilson now lives by the sea n Scotland and writes stories that are touched by folklore and the wilderness. She has had her short stories published in magazines and anthologies, and tweets about science, writing, cats and weirdnesses. Follow @raine_clouds
Deluge by Susmita Bhattacharya – Susmita Bhattacharya was born in Mumbai. She teaches creative writing at Winchester University and leads the SO: Write Young Writers project in Southampton. Her debut novel, The Normal State of Mind (Parthian), was published in 2015. Her short stories, essays and poems have been widely published and also broadcast on BBC Radio 4. She won the Winchester Writers Festival Memoir prize in 2016. She lives in Winchester with her family. Follow @Susmitatweets
Fireworks by David Barker – David was born in Cheshire but now lives i Berkshire. he is married to an author of children’s picture books and they have a daughter who loves stories. David spent 26 years working in the City as an economist, trying to predict the future. His first novel, Blue Gold, was published by Urbane last year and the sequel, Rose Gold, comes out in May. the final part of the trilogy is due in 2019.
David appears on Radio Berkshire’s monthly show, Radio Reads, discussing books with host Bill Buckley and author Claire Dyer. He loves reading, especially adventure stories, sci-fi and military history. Outside of family life, his other interests include tennis, golf, surfing and board games. Follow @BlueGold201 Visit davidbarkerauthor.co.uk
Ophelia Rising by Elaine Desmond – Elaine Desmond is a full-time author based in Ireland. She holds a degree in Psychology and Business, as well as a PhD in Sociology. Elaine is the author of a number of academic articles on risk and democracy and, in 2017, published a non-fiction book with Palgrave Macmillan. Legitimation in a World at Risk: The Case of Genetically Modified Crops in India is based upon a year’s research in the politically volatile and economically vulnerable region of Telangana. She lectures on Environmental Sociology and Globalisation and Development at University College Cork, and is affiliated with the Centre of South Asian Studies at Cambridge University. Details of her academic work can be found at cambridge.academia.edu/ElaineDesmond
Elaine has a Certificate  in Creative Writing from the Writers Bureau in the Uk and has had articles published in newspapers and magazines. Her short stories and poems have been runners-up in a number of literary awards. In 2008, she wrote a one-act play entitled A Footprint of Roses about WOZA, a women’s civil movement in Zimbabwe. This was produced throughout Europe and the United States and is available online. Elaine is a member of the Virgin Slate Writers Group and the Corccodorca Theatre Development Company, both in Cork.
The Window Box by Stephen Connolly – Stephen Connolly grew up in Canada, Scotland and the Republic of South Africa. He has published a number of short stories and his pays have been performed in Bath, Brighton, London and Salisbury. In 2015 he graduated with an MA in Scriptwriting from Bath Spa University. Off The Rock Productions will record his radio play ‘The Destiny of Shoes’ in 2018. He was at school with the Proclaimers who probably don’t remember him. His story The Window Box is a chapter from his current novel-in-progress. Visit stephenconnollywriter.com

Up Above the World so High by Rose McGinty – Rose McGinty is the author of Electric Souk, published in 2017 by Urbane Publications. Rose lives in Kent and works for the NHS in East London, and has worked overseas, including the Middle East. She is an alumni of Trinity College, Dublin, and the Faber Academy. Rose has won several writing competitions and had short stories selected for anthologies. Se’s now working on he second novel, a thriller that has taken her to some rather gothic hospital  corridors. Follow @rosemcginty
edited by Amanda Saint Follow @saintlywriter and Gillian Baker

CLIMATE CHANGE AND THE 21ST-CENTURY BRITISH NOVEL


CLIMATE CHANGE AND THE 21ST-CENTURY BRITISH NOVEL


Astrid's book, Climate Crisis and the 21st-century British Novel was published by Bloomsbury Academic in November 2017. A preview of the book is available here. IShe has been blogging about the book on her website, where you can also find the cocktail-party explanation of my book (i.e. the book for non-specialists).
Climate Change and the 21st-century British Novel explores contemporary narratives of nature as means of understanding our ambiguous perceptions and experiences of the natural world at a time of environmental crisis. The narratives that emerge from post-millennial British fictions provide novel ways of imagining changing human engagements with the nonhuman natural world in the Anthropocene.
The book focuses on four types of narratives of nature – pastoral nature, urban nature, climate crisis nature, and polar nature – that are nexus points in which discourses on contemporary nature converge. Pastoral nature is both ideal and, especially in light of environmental crisis, problematic for its escapist connotations. Urban nature is often seen as an oxymoron which is nonetheless becoming ever more prominent and significant as urbanization increases. Climate crisis discourse has come to dominate cultural and environmental debates over the past decades. Stories about polar nature, finally, use historical explorations to comment on the poles as the last wilderness and a poignant symbol of contemporary environmental destruction.
Despite the prominence of these narratives in contemporary culture, their significance in post-millennial British novels by mainstream literary authors has received little to no attention. The book provides an interdisciplinary approach – drawing on ecocriticism and narratology, but also urban and rural studies – to explore how these narratives are radically changing and are subsequently changing the way we imagine nature, our relationship with it and ourselves.
The authors and texts discussed in Climate Change and the 21st-century British Novel are Sarah Hall’s The Carhullan Army (2007), Melissa Harrison’s Clay (2013), Rebecca Hunt’s Everland (2014), Francesca Kay’s The Translation of the Bones (2011), David Mitchell’s Cloud Atlas (2004), Jeremy Page’s The Collector of Lost Things (2013), Ross Raisin’s God’s Own Country (2008), Amy Sackville’s The Still Point (2010), Zadie Smith’s N/W (2011), Graham Swift’s Wish You Were Here(2011), Sam Taylor’s Island at the End of the World (2010) and Gerard Woodward’s August (2001).

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THE COCKTAIL-PARTY EXPLANATION OF THE  BOOK

IMG_8615Writing a book about books seems alien to many people outside of academia. Over the past years I’ve tried to explain to family and friends why I was writing a book about 21st-century British novels, and why that’s even interesting. This is the explanation that I came up with.
My new book (published November 2nd, 2017) is about climate crisis and the way it is portrayed in 21st-century British novels. I start the book by discussing a different medium: the 2015 film The Revenant. This film about fur traders in 19th-century North America manages to be both historical and very topical. As Leonardo DiCaprio explained when he accepted the Oscar for his part in the film, The Revenant shows that ‘climate crisis is real’. Because the bleak, snowy landscapes that the film depicts no longer exist in Northern America, the film crew ended up in Antarctica. At the same time, as the film’s success shows, the wilderness that The Revenant shows remains an important part of how we think about nature.
Films and novels are a way in which we tell stories about ourselves and our environment. Roughly since the year 2000 it’s become much more normal to talk about climate crisis, to write books about it that aren’t non-fiction or science fiction, and to make films about it that are mainstream. Climate crisis has become part of our cultural consciousness – we’re not puzzled when a star like Leonardo DiCaprio talks about climate crisis at the Oscars. The omnipresence of climate crisis also means that it has become much easier and more natural for authors to refer to climate crisis. Things such as rising sea levels, increasing number of hurricanes or floods have become a kind of shorthand for climate crisis. We don’t need the scientific explanation to understand these and other events as part of climate crisis.
In the book I discuss twelve British novels published since 2000 that all show that climate crisis has become part of 21st-century life. The books, including NW by Zadie SmithNWbookcover and The Carhullan Army by Sarah Hall, aren’t explicitly ‘about’ climate crisis – rather, they show how the stories we tell about ourselves, the world and our place in it are increasingly influenced by awareness of climate crisis.
Novels – like films – create new stories. Urban nature is one of these newer stories. The city is no longer seen as the opposite of nature, but a place in which people can connect to nature, for example through parks and gardens, but also through farmers’ markets and local food. Another narrative that is relatively new is that of environmental collapse – stories in which societies collapse because of climate crisis. This story seems to become more popular every year, both in books such as Cloud Atlas by David Mitchell, and in films such as seemingly every disaster movie made in the past five years.
Novels and films also update old stories of nature. We can’t really disappear into idealization of the countryside (pastoral) anymore without having in the backs of our minds climate change, livestock diseases and industrialization. While the Arctic and Antarctic were long the last frontiers of wilderness and heroic exploration, they’ve now become destinations for last chance to see or extinction tourism.
This is what my book tries to explain. Climate Crisis and the 21st-Century British Novel is available from Bloomsbury Academic, and I also write about the book on this blog. My exploration of the way British novels depict climate crisis is part of my work on ecocriticism. More of my ecocritical research can be found here.